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PABLO JOSÉ RAMÍREZ
Editor in Chief/Co-founder
SAM SIMON
Managing Editor, Translator/
Co-founder
ELOISA TRAVAGLINI
Publishing coordinator/
Co-founder
CAROLINE BRENDEL
Editor
ADRIAN BALSECA
Sound Editor
AYESHA HAMEED
Contributing Editor
RACHAEL RAKES
Contributing Editor
REEM SHADID
Contributing Editor
JULIO A. URÍZAR
Spanish Translator
JONATAN ERIKSSON
Creative Design Coordinator
THANK YOU
Lawrence Abu Hamdan, Lorenzo Aillapán, Renata Álvarez, Zbyněk Baladrán, Karen Barad, Raven Chacon, Evie Cheung, Sheila Chukwulozie, Tyler Coburn, Nicola Cruz, Patricia Domínguez, Ella Finer, Futuro Fósil, Guillermo Galindo, Francisca Gili, Terike Haapoja, Sol Henaro, Candice Hopkins, AnaRosa Ibañez, Brandon LaBelle, Radim Lisa, Nicole L'Huillier, Portia Malatjie, Cristóbal Martínez, Noe Martínez, Vibeke Mascini, Claudio Mercado Muñoz, Arjuna Neuman, Moad Musbahi, Joaquín Orellana, Laura Ortman, Maria Ozcoidi Moreno, José Pérez de Arce A., Nelesi Rodriguez, Urok Shirhan, Terezie Štindlová, Tsto, Yang Yeung
La Nueva Fábrica, Antigua Guatemala
Museo Universidad de Navarra, Spain
New Roots Foundation, Guatemala
ICI, Independent Curator International, New York
MUAC, Museo Universitario Arte Contemporáneo, Mexico City
Infrasonica is a digital platform of non-Western cultures. We record, analyze and debate the eeriness of sound and its auras, linked to the world with the audible, the hidden and the sensitive. Infrasonic waves operate at a frequency that is undetectable by human ears even though they are often generated by massive ecological phenomena, such as the movement of tectonic plates or the deep currents of the ocean. Infrasonica aims to be a catalyst for those vibrations.
The platform includes archives of experimental sound and visual artists, as well as theoretical musings on contemporary critical thought. By relying on a borderless network of collaborators, Infrasonica blends essays, conversations and speculative works that encourage critical curatorial and research projects.